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Charles Wright and the Wright Sounds
Charles Wright was conceived on April 6, 1940, in Clarksdale, Mississippi.[1] He moved to Los Angeles in the mid 1950s, playing guitar and singing in a few doo-wop bunches including the Turks, the Twilighters, the Shields, and the Gallahads. He likewise quickly worked in A&R for Del-Fi Records and was answerable for the 1961 hit record "Those Oldies however Goodies (Remind Me of You)" by Little Caesar and the Romans. In 1962, he framed his own band Charles Wright and the Wright Sounds which included future Watts Band part John Raynford, alongside Daryl Dragon, later known as the "Skipper" of Captain and Tennille. Through the span of the following six years, Wright would add more players to his gathering and these were the players who might in the long run become known as the Watts 103rd Street Rhythm Band, at any rate by 1968. A few of those individuals, including drummer James Gadson, bassist Melvin Dunlap, trombonist/arranger Ray Jackson, and the two guitarists Al McKay and Benorce Blackmon, would play on a few Dyke and the Blazers diagramming singles, including "We Got More Soul" (1969) and "Let a Woman Be a Woman, Let a Man Be a Man" (1969).
The Wright Sounds played in a few scenes across Los Angeles yet their most popular stretch was three years (finishing in 1968) at Hollywood's Haunted House club. Initially situated at Hollywood and Vine, the Haunted House was a mainstream club during the 1960s and shows up in a few mainstream society curios, most quite the 1969 go-go out B-film, Girl in Gold Boots.
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